Kyung-whan, who's been with the same play team for 15 years, is out to have a get together after the play again tonight. Drinking brings the joy out of everyone but Kyung-whan's wallet is as light as a feather as he's been acting for a long time. However, his pride on acting and the stage is at its highest. Maybe too much. Kyung-whan feels upbeat with all the sweet talk from other members of the crew. And, there he goes again with the preach on acting with the little knowledge he has. While the preach is going on, one of the members' phone rings. It's an ex-member of the crew but now a big time star Nam-hee. Kyung-whan feels uncomfortable after finding out Nam-hee's about to join. He can't say no to it since everybody's excited about Nam-hee's visit and he doesn't want to be the person to ruin it. Kyung-whan gets demoted from the main role to a supporting role with the sudden visit from Nam-hee.

A young Czech theater director has an ambition to adapt Eurypides' Phaedra. However, having affair with the actress, he puts his marriage at risk and the play turns to be a fiasco. Desperate, he tries to be the best possible father and husband. Not a perfect one.

Faced with an indifferent youth group, a new youth Pastor tries to motivate his students to read God's Word and get serious about their faith.

Reese, an injured field hockey star, faces immense pressure from her demanding mother and underperforming team, while talented newcomer Cait threatens her status.

The Afternoon Play is a British television anthology series of standalone contemporary dramas aired during the afternoons of 2003–07 on BBC One, featuring well-known actors in one-off stories. A daytime drama strand showcasing a variety of genres, from comedy to mystery, it was part of a long tradition of afternoon plays on BBC Radio 4, which would go on to influence the television version.

A director blames the failed shoot on personal feelings toward the actor. The actor auditions for a role in a shamanic tale about a goblin that’s entered a woman’s body. The story is told twice, solely from one person’s point of view, but differently. 　　主人公の女性は精霊に取り憑かれた役のオーディションを受けている。だが、彼女が語っている言葉は誰のものなのか。物語は多層化され、時間は交錯し、トリックが隠されている。やがて意識を奪われた人間のように、映画が語る”真実”が曖昧になっていく。1作ごとに語りの実験を深化させている韓国の新鋭ユ・チェの最新作。

In Play the Wind we are led on a journey throughout Los Angeles with our protagonists Dimitri Chamblas and Riley Keough.

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